It’s best to use a lossless WAV file, but MP3 will work in a pinch.ĭo not-I repeat, DO NOT use YouTube for reference mixes. Find a few great sounding professionally released tracks in a similar genre, tempo and style and compare them to your mix to get an idea of where your track might be struggling. Reference mixes provide a roadmap for you to follow. Mastering without reference mixes is like painting in the dark-it might turn out great, but chances are it will be a bit of a mess because you couldn’t see what you were doing. Choose from Spotify, Soundcloud, YouTube, CD and more. Insert LEVELS on your master output channel and select one of the Mastering presets for your primary destination. LEVELS makes it easy to set target levels and see when pushing your limiter too hard. This means the louder track no longer sounds like it has more clarity or a richer bass, and you start to hear all of the imperfections such as a lack of punch and horrible distortion muddying the sound. Once music is normalized by a streaming site, the comparison between a loud and quiet track is finally ‘fair’. It’s impossible to avoid ruining your transients and dynamic range when you push a track so loud that it’s actually distorting. They did this as humans perceive louder songs to have greater clarity in the top-end and a deeper sounding bass than quieter songs. Prior to streaming sites introducing normalisation, artists and labels pushed their masters to their maximum loudness. Some streaming services like Spotify and YouTube will adjust the level of your master to ensure that all tracks are within a certain loudness range. Working with your distribution method in mind helps you stay on track and makes sure your mix won’t sound too loud or distorted when played back by the listener. In this blog, you’ll learn how to avoid common mastering mistakes, how to sculpt your sound, and how to make sure your tracks translate to any system. That’s why we put together these tips to help artists master their own tracks. However, it can be one of the most difficult elements of the production process-especially if you’ve never done it before. Mastering is absolutely essential to creating a professional-sounding track. Some artists will try to save time by slapping a limiter on the mix bus and calling it a day, but it never works. Producing, recording, editing, mixing and even mastering. While it would be great to hire a world-class mixing and mastering engineer to finish off all of your productions, the reality is, most of us do it all.
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